This webpage showcases my work in the world of editorial production and publishing. This page highlights my contributions to various projects, from manuscript editing and book production to magazine proofreading and content development. Through roles in publishing houses, design publishers, and cultural magazines, I’ve honed my skills in research, editing, collaboration, and quality control. Each project reflects my passion for storytelling, precision, and delivering impactful content across diverse platforms.
Editorial & Publications
At Pegasus Books, I supported the editorial and production teams by reviewing manuscripts at various stages of development. I wrote reader’s reports to assess submissions for genre fit and publication potential, conducted eBook reviews to ensure clean formatting in digital files, and proofed book jacket designs for accuracy and consistency. This role sharpened my eye for detail and gave me hands-on experience with the editorial and production workflow of a trade publisher.
At Blinter Magazine, I played a key editorial role—editing articles for publication, ensuring clarity, tone, and alignment with our in-house style guide. I also contributed original, in-depth articles and optimized content for SEO to maximize discoverability. Using WordPress as our CMS, I managed content uploads and formatting. This experience strengthened my editorial judgment, refined my writing voice, and deepened my understanding of digital publishing workflows.
Wealth, influence, and sustainability: Bridging the green divide
At Musée Magazine, I supported the editorial process by line editing and copyediting articles to ensure they were ready for publication. My work focused on refining grammar, clarity, and adherence to the magazine’s in-house style guide, while preserving each writer’s voice. This role strengthened my attention to detail and deepened my understanding of the editorial production process for a digital photography publication.
Copyediting Work for Musée Magazine
The following articles were edited for grammar, clarity, and style. I did not write or contribute to the content beyond line and copyediting.
-
World Press Photo Exhibition 2025 | De Nieuwe Kerk Amsterdam
-
Alma Haser: Everything Has an End, Only a Sausage Has Two | The Photographers’ Gallery
-
Katja Mater and the FOMU collection: No Longer Not Yet | FOMU Antwerpen
-
Lorna Simpson: Source Notes | The Metropolitan Museum of Art
-
Gilbert & George: DEATH HOPE LIFE FEAR... | The Gilbert & George Centre
-
Dirk Braeckman: No Denial, No Explanation | Tim Van Laere Gallery
-
Claudia Fuggetti: Palinopsia | Camara Oscura Galeria de Arte
-
Elsa & Johanna: Lost and Found | Centre Photographique Marseille
-
Flashpoint! Protest Photography in Print, 1950–Present | CPW
-
Pao Houa Her: The Imaginative Landscape | San José Museum of Art
-
Anastasia Sierra: Bittersweet | Griffin Museum of Photography
-
Photography's New Vision: Experiments in Seeing | High Museum of Art
-
Louis Stettner: Across Two Worlds | The Hulett Collection​
-
Book Review: Nadia Lee Cohen / Martin Parr: Julie Bullard | IDEA
-
BOOK REVIEW: PALERMO MADRE BY FRANCESCO FARACI | NFC EDIZIONI
-
JR: The Chronicle of Tokyo: A City Within a City | KYOTOGRAPHIE
-
Duplications of the Real: On the Photographic World of Ernest and Henri Roger
-
​Erwin Wurm: The Body as Sculpture | Francisco Carolinum Linz
-
Jacob Aue Sobol : The Core | Leica Store Copenhagen in Collaboration with MAXUS101
-
Kunié Sugiura: Photopainting | San Francisco Museum of Modern Art
At Neuwirth & Associates, I contributed to the production process of books by ensuring manuscripts were polished and publication-ready. My role involved verifying corrections, performing final checks, and collaborating with editors, proofreaders, and authors to maintain accuracy and consistency throughout the production lifecycle. This hands-on experience deepened my understanding of the publishing process and honed my attention to detail in editorial and manufacturing tasks.
While interning at Graphis, an international publisher specializing in design and visual arts, I played a pivotal role in supporting editorial decisions through in-depth research. Balancing multiple deadlines in a fast-paced environment, I proofread and edited content for books and a quarterly magazine, consistently delivering high-quality materials. This experience strengthened my ability to manage tight schedules while maintaining precision in content development.
At ODDA Magazine, a global fashion and culture publication, I rigorously proofread and edited articles to ensure flawless grammar, punctuation, and style consistency. Adhering to the publication’s style guide, I maintained high editorial standards while providing constructive feedback to writers, fostering their growth and ensuring the magazine's quality remained top-tier.
